Drawing
During this Complete Introduction To Drawing and Shading course you will build your skills through a series of specifically designed progressive exercises which will help you to draw better immediately.Introduction In this Complete Introduction To Drawing And Shading course you will learn how to create a three-dimensional opticalillusion using pencil and paper.
This unique course is based upon a combination of traditional art methods handed down to us from the great masters of art as well as Sureshachar highly acclaimed contemporary teaching method. In her courses Sureshachar encourages you to access four comparison skills that most of us are born with and use individually on a daily basis.Even if you have little or no drawing ability or you are unable to draw a straight line,you are especially welcomed to study this course. Sureshachar natural gifts of perception,empathy, patience and encouragement combine with down-to-earth technical information to make this learning experience a wonderful journey of self-discovery.
Through completing the exercises presented in this course, combined with a willing attitude,perseverance,practice and self-belief it is perfectly possible for most people to learn how to draw a realistic 'three-dimensional shaded image. If you feel a need for further support with your art studies, feel free to contact Sureshachar and enrol into one of her courses to receive in-depth feedback on your artworks.
Painting Painting is the practice of applying paint, pigment, color or other medium[1] to a surface (support base). The application of the medium is commonly applied to the base with a brush but other objects can be used. In art, the term painting describes both the act and the result of the action. Paintings may have for their support such surfaces as walls, paper, canvas, wood, glass, lacquer, clay, copper or concrete, and may incorporate multiple other materials including sand, clay, paper, gold leaf as well as objects. Painting is a mode of expression and the forms are numerous. Drawing, composition or abstraction and other aesthetics may serve to manifest the expressive and conceptual intention of the practitioner. Paintings can be naturalistic and representational (as in a still life or landscape painting), photographic, abstract, be loaded with narrative content, symbolism, emotion or be political in nature. A portion of the history of painting in both Eastern and Western art is dominated by spiritual motifs and ideas; examples of this kind of painting range from artwork depicting mythological figures on pottery to Biblical scenes rendered on the interior walls and ceiling of The Sistine Chapel, to scenes from the life of Buddha or other scenes of eastern religious origin. Painting media Oil painting is the process of painting with pigments that are bound with a medium of drying oil—especially in early modern Europe, linseed oil. Often an oil such as linseed was boiled with a resin such as pine resin or even frankincense; these were called 'varnishes' and were prized for their body and gloss. Oil paint eventually became the principal medium used for creating artworks as its advantages became widely known. The transition began with Early Netherlandish painting in northern Europe, and by the height of the Renaissance oil painting techniques had almost completely replaced tempera paints in the majority of Europe. Pastel Pastel is a painting medium in the form of a stick, consisting of pure powdered pigment and a binder.[9] The pigments used in pastels are the same as those used to produce all colored art media, including oil paints; the binder is of a neutral hue and low saturation. The color effect of pastels is closer to the natural dry pigments than that of any other process.[10] Because the surface of a pastel painting is fragile and easily smudged, its preservation requires protective measures such as framing under glass; it may also be sprayed with a fixative. Nonetheless, when made with permanent pigments and properly cared for, a pastel painting may endure unchanged for centuries. Pastels are not susceptible, as are paintings made with a fluid medium, to the cracking and discoloration that result from changes in the color, opacity, or dimensions of the medium as it dries. Acrylic Acrylic paint is fast drying paint containing pigment suspension in acrylic polymer emulsion. Acrylic paints can be diluted with water, but become water-resistant when dry. Depending on how much the paint is diluted (with water) or modified with acrylic gels, media, or pastes, the finished acrylic painting can resemble a watercolor or an oil painting, or have its own unique characteristics not attainable with other media. The main practical difference between most acrylics and oil paints is the inherent drying time. Oils allow for more time to blend colors and apply even glazes over underpaintings. This slow drying aspect of oil can be seen as an advantage for certain techniques, but in other regards it impedes the artist trying to work quickly. Watercolor Watercolor is a painting method in which the paints are made of pigments suspended in a water soluble vehicle. The traditional and most common support for watercolor paintings is paper; other supports include papyrus, bark papers, plastics, vellum or leather, fabric, wood, and canvas. In East Asia, watercolor painting with inks is referred to as brush painting or scroll painting. In Chinese, Korean, and Japanese painting it has been the dominant medium, often in monochrome black or browns. India, Ethiopia and other countries also have long traditions. Fingerpainting with watercolor paints originated in China. Ink Ink paintings are done with a liquid that contains pigments and/or dyes and is used to color a surface to produce an image, text, or design. Ink is used for drawing with a pen, brush, or quill. Ink can be a complex medium, composed of solvents, pigments, dyes, resins, lubricants, solubilizers, surfactants, particulate matter, fluorescers, and other materials. The components of inks serve many purposes; the ink’s carrier, colorants, and other additives control flow and thickness of the ink and its appearance when dry. FrescoFresco is any of several related mural painting types, done on plaster on walls or ceilings. The word fresco comes from the Italian word affresco [afˈfresːko] which derives from the Latin word for "fresh". Frescoes were often made during the Renaissance and other early time periods. Buon fresco technique consists of painting in pigment mixed with water on a thin layer of wet, fresh, lime mortar or plaster, for which the Italian word for plaster, intonaco, is used. A secco painting, in contrast, is done on dry plaster (secco is "dry" in Italian). The pigments require a binding medium, such as egg (tempera), glue or oil to attach the pigment to the wall. A Fresco "White Angel" from Mileševa, SerbiaGouacheGouache is a type of paint consisting of pigment suspended in water. Gouache differs from watercolor in that the particles are larger, the ratio of pigment to water is much higher, and an additional, inert, white pigment such as chalk is also present. Like all watermedia, it is diluted with water. This makes gouache heavier and more opaque, with greater reflective qualities. -----------------------------------------------------------
ART CLASSES FOR TEENS Drawing
Painting
Water colour painting
Pastel colouring
Shading
Sketching
Clay and Pottery
Sculpture
Caliegraphy(Art of Writing)
-----------------------------------------------------------
ART CLASSES FOR ADULTS
Oil Painting
Water colour Painting
Dry Pastel colouring
Pot painting
Recopy painting
Sculpture
Acralic Painting
Clay & Pottery
-----------------------------------------------------------
|
